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Extra info for American women writers from colonial times to the present (4 volume set)
Although she occasionally wrote in a paternalistic or romantic tone, she is essentially an objective historian. Her English background, she noted, freed her from sectional attachments in dealing with Civil War issues. And she could likewise appraise with detachment the conﬂict between Indian claims and American expansionist urges. Her work is marked with a sense of the tragedy that befell the Indians, but this sense did not obscure her judgement. If, in her ﬁnal view, the fate of the Indians was determined by white greed and power, she also recognized the part which the Indians’ ‘‘inability to learn from experience’’ played in the ﬁnal outcome.
Throughout her work Abel proves to be both an effective researcher and a perceptive scholar who wrote sympathetically about problems the Indians encountered. Although she occasionally wrote in a paternalistic or romantic tone, she is essentially an objective historian. Her English background, she noted, freed her from sectional attachments in dealing with Civil War issues. And she could likewise appraise with detachment the conﬂict between Indian claims and American expansionist urges. Her work is marked with a sense of the tragedy that befell the Indians, but this sense did not obscure her judgement.
Stingy Receiver (1917). Ne’er-Do-Much (1918). Old-Dad (1919). Rainy Week (1921). Fairy Prince, and Other Stories (1922). Silver Moon (1923). Love and the Ladies (1928). But Once a Year (1928). Minister Who Kicked the Cat (1932). Being Little in Cambridge When Everyone Else Was Big (1936). BIBLIOGRAPHY: Reference works:Notable Boston Authors, M. Flagg, ed. (1965). Other references: Boston Transcript (15 Oct. 1913, 1 Dec. 1928). NYT (12 Oct. 1913, 3 Jan. 1937). Springﬁeld Republican (11 Oct. 1936).