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Download A Historical Phonology of English by Donka Minkova PDF

By Donka Minkova

ISBN-10: 0748634673

ISBN-13: 9780748634675

Phonological evolution is an important section of the general historical past of the language; the subject material is either major by itself phrases and suitable in curricular phrases. This publication describes the segmental and prosodic alterations within the background of English, offers analyses of those alterations either as phonological occasions and relating to the evolution of interlocking elements of prior English and highlights the relevance of the subjects and doubtless generate additional curiosity via projecting historic phonological swap onto Present-Day English and its forms. the advance of the English sound procedure is among the top studied a part of the historical past of the language, although no up to date, student-friendly survey exists: this ebook fills the space.

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Sample text

As we will see in Chapter 10, OE poetic composition lies firmly within the Germanic alliterative tradition; the verse line was held together by alliteration, which is consistently associated with the first sound of the stressed syllable of a word. In Middle English 14 A HISTORICAL PHONOLOGY OF ENGLISH syllable-counting and end-rhyme, properties characteristic of contemporary Continental versification, became increasingly popular, culminating in the invention of the English iambic pentameter by Chaucer (c.

Also within this group, /r, l/ are called liquids. As noted above, /j, w/ are also identified as glides or semivowels. The major manners of articulation relevant to the description of English consonants are: • STOPS /p, b, t, d, k, g/: the air is completely stopped for a brief period heard at the beginning of words (town, down), in the middle of words (upon, cigar, sucker), or word-finally as in rag, rib, sock. • AFFRICATES /t ʃ, d /: the air is stopped, then released with some friction, as in chimney, jam, pitcher, Cajun, such, ledge.

3). The vibration of the muscular folds triggers voicing. When the vocal cords are spread and not vibrating, as in breathing, the result is a voiceless sound. In English only one subset of the consonants can be voiceless – /p, t, k, f, θ, s, ʃ, tʃ, h/ – so that the voiced sounds outnumber the voiceless sounds. All English nasals and approximants (/m, n, ŋ, l, r, w, j/, see below) are voiced. The exact phonetic manifestation of consonant voicing in English varies considerably. The ‘voiced’ /b, d, g/ can be realised phonetically very close to [p, t, k] word-initially, especially after a voiceless consonant as in this boy, this day, this guy.

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