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By Durham, I T

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Bernard Frechtman. London and New York: Routledge, 1993. IMAFEDIA OKHAMAFE H I S T O R I C A L FA B U L AT I O N A S H I S T O RY B Y OT H E R MEANS: SHAKESPEARE’S CAESAR AND MOFOLO’S C H A K A A S O P P O S I T E S I N RU B I C O N E S Q U E LEADERSHIP ABSTRACT My paper argues that analyzing the characters of William Shakespeare’s Julius Caesar and Thomas Mofolo’s Chaka (Zulu) in terms of the interrelationships of each character’s secret self, private self, and public self offers a more plausible account of the nature and ends of each character’s ambition and leadership style: in the case of Caesar as a democratic dictator and in the case of Chaka as a demonic dictator.

Aura as connector of text, characters, author, and reader forms part of virtual reality. The image of Aura is a fictional creature in someone’s imagination, created probably by the editor but we remained unsure of whom. Her role of living metaphor does not follow a traditional logic and the narration schematically reflects on several contexts, it argues and thinks things through, suggesting that at the core of the reality in question lays a paradigm regarding the interrogative nature of practical reasoning.

One ends with the conviction that in the postmodern realm of human understanding in a post-modern world, most of what seems real is left to speculation, that there is no specific answer to ontological questions but a phenomenological approach to understanding that facilitates to ask the right question. , The Jargon of Authenticity, London, Routhledge, 1973. , Negative Dialectics, London, Routhledge, 1984. , Oublier Foucault, Humanities in Society No3 (Winter 1980), 87–111. , Of Grammatology, Baltimore, The Johns Hopkins University Press, 1974.

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