By David Seamon
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Extra resources for A Geography of the Lifeworld: Movement, Rest, and Encounter
He demonstrates how street patterns, hallway arrangements, physical barriers, and other features of environment can be used to facilitate place ballets. Place ballets are not the only component of place experience. At times, people wish to withdraw, to be alone or with intimates—to separate from the public world of which the place ballet is a part. In addition, place ballets no doubt have impractical and negative aspects, particularly in today’s era of social and physical mobility. Does place ballet sometimes generate a sense of provincialism?
Here a simple body ballet is suddenly out of phase with the world at hand. ” In time, obviously, people will adjust to the change and service will improve. The point is that officials were not aware of the confusion that might ensue because of the change; had they been, they might have instituted the new machines more carefully, perhaps with advance publicity or announcements by loudspeaker. Consider a second, more costly, example: an attempt by Los Angeles officials to ease pollution and traffic congestion by turning over one lane in each direction of the Santa Monica Freeway to buses and car pools (Lindsey, 1976).
It was cold in the apartment, but I wanted to be home. I remember thinking to myself how irrational I was being—that I wouldn’t be comfortable and might get sick. The thoughts had no effect. 3). Attachment to home is associated with the experience of at-homeness—the taken-for granted situation of being comfortable and familiar with the world in which one lives his or her day-to-day life. Observations on home point to five underlying themes that mark out the experiential character of at-homeness—rootedness, appropriation, regeneration, at-easeness and warmth.